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c. 1445 – May 17, 1510. Italian painter.

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Thomas Hovenden
I Know'd It Was Ripe

ID: 70980

Thomas Hovenden I Know'd It Was Ripe
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Thomas Hovenden I Know'd It Was Ripe


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Thomas Hovenden

1840-1895 Thomas Hovenden Gallery Thomas Hovenden (December 28, 1840 ?C August 14, 1895), was an Irish-American artist and teacher. He painted realistic quiet family scenes, narrative subjects and often depicted African Americans. Hovenden was born in Dunmanway, Co. Cork, Ireland. His parents died at the time of the potato famine and he was placed in an orphanage at the age of six. Apprenticed to a carver and gilder, he studied at the Cork School of Design. In 1863, he immigrated to the United States. He studied at the National Academy of Design in New York City. He moved to Baltimore in 1868 and then left for Paris in 1874. He studied at the École des Beaux Arts under Cabanel, but spent most of his time with the American colony at Pont-Aven in Brittany led by Robert Wylie, where he painted many pictures of the peasantry. Returning to America in 1880, he became a member of the Society of American Artists and an Associate member of the National Academy of Design (elected Academician in 1882). He married Helen Corson in 1881, an artist he had met in Pont-Aven, and settled at her father's homestead in Plymouth Meeting, Pennsylvania, outside of Philadelphia. She came from a family of abolitionists and her home was a stop on the underground railroad. Their barn, later used as Hovenden's studio, was known as Abolitionist Hall due to its use for anti-slavery meetings. He was commissioned to paint a historical picture of the abolitionist leader John Brown. He finished "The Last Moments of John Brown" (now in the collection of the Fine Arts Museums of San Francisco) in 1884. His "Breaking Home Ties", a picture of American farm life, was engraved with considerable popular success. In 1886, he was appointed Professor of Painting and Drawing at the Pennsylvania Academy of the Fine Arts, replacing Thomas Eakins who was dismissed due to his use of nude models. Among Hovenden's students were the sculptor Alexander Stirling Calder and the leader of the Ashcan School, Robert Henri. Hovenden was killed at the age of 54, along with a ten-year old girl, by a railroad locomotive at a crossing near his home in Plymouth Meeting. Newspaper accounts reported that his death was the result of a heroic effort to save the girl, while a coroner's inquest determined his death was an accident.  Related Paintings of Thomas Hovenden :. | Chloe and Sam | I Know'd It Was Ripe | I Know d It Was Ripe | Self-Portrait of the Artist in His Studio | Breaking Home Ties |
Related Artists:
Alfred Dehodencq
French Painter. Paris 1822 - Paris 1882. Specializes in Orientalism. French painter born in Paris. Well known for his vivid oil paintings depicting slices of life in the world around him. During his early years , Dehodencq studied in Paris at the Ecole des Beaux Arts under the tutelage of famous French artist Leon Cogniet. Following the French revolution of 1848 he spent five years in Spain where he became acquainted with the works of Spanish painters Diego Vel??zquez and Francisco Goya which had a strong influence on his approach to painting. In 1853 he travelled to Morocco where for the following ten years he produced many of his most famous paintings depicting scenes of the world he encountered. While he considered himself to be a 'Last of the Romantics', his work is generally categorized in the mid 19th century realists artistic movement. Dehodencq was the first foreign artist known to have lived in Morocco for an extended number of years. He returned to Paris in 1863. He died in 1882
SASSOFERRATO
Italian Baroque Era Painter, 1609-1685 Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
POT, Hendrick Gerritsz
Dutch Baroque Era Painter, ca.1585-1657






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